Parity Pipeline

Parity Pipeline

Girls Aren't Funny

In Girls Aren't Funny a talented Pakistani-American comedian’s dream of stardom unravels when she hides her comedy career from her conservative Muslim mother.

  • ABOUT
  • BIO
  • SCREENINGS
  • AWARDS
  • PRESS
  • CREDITS

Genre

Synopsis

GIRLS AREN’T FUNNY centers on Aiza, a young Pakistani-American comedian who leads a double life. On one hand, Aiza tries to please her conservative Muslim mother, who is desperately trying to set up Aiza on various arranged- marriage dates. On the other hand, Aiza secretly pursues her real passion, stand up comedy, without her mother even knowing.

Aiza’s unrelenting ambition to achieve her comedy dreams coupled with juggling her double life, jeopardizes her relationship with her mother, and her best friends, Lola and Jade. Lola is a queer comedian trying to find her groove in NYC, and ends up crashing on Aiza’s couch. Jade, a high energy, sketch influencer avoids dealing with the grief of losing her best friend and puts on a sunny facade, leaning on Aiza and Lola as she tries to move forward.

The women’s friendship is tested when they are forced to go head to head and compete for the same newcomer comedian slot at the coveted Bell House Residency, which has only ever accepted one woman before. It’s a catch 22: stand up provides a platform where the three women grow and evolve by sharing their truths and taking control of their own narratives, but it's also an industry that is still mired with sexism.

Ultimately, Aiza learns she must work with her friends, not against them, to redefine the male-dominated comedy scene on her own terms, reevaluate what success means to her, and figure out how to share her full honest self both on stage and off. 

Bio

Jasia Ka is an Emmy Award–winning film/commercial director and TV series creator known for her bold “feminist Rocky” point of view. Her work spotlights queer and female perspectives, blending realism with fantasy to create atmospheric, irreverent worlds where outsiders take centerstage. Her portfolio spans high-profile campaigns—like BMW’s global commercial campaign starring Brooke Shields—to the Emmy Award–winning documentary Ghost and the BRIC-TV drama-comedy TV series Girls Aren’t Funny. Her filmography includes supernatural comedy series Bushwitches (premiered at NewFest: The New York LGBTQ+ Film Festival) and Mark Duplass-supported queer romantic comedy Stalling (premiered at the Oscar-qualifying Provincetown International Film Festival).  

Jasia has led creative teams in-house as Creative Director and Video Director at numerous publications at Condé Nast Entertainment, including Architecture Digest, Conde Nast Traveler and Bon Appetit, directing A-list talent like Margot Robbie and Riz Ahmed. She is a current fellow in the 2025 AWD Directing the Actor Lab, and previously participated in the 2025 Gotham Accountability Sprint, and 2023 New York Foundation of the Arts Women in Media Grant.  Jasia has been featured in the press on Deadline, IndieWire, NY Times, Pitchfork, Paper Magazine and The Hollywood Reporter, cementing her reputation as a visionary new storyteller. She is represented by Eric Williams at Zero Gravity Management.

Screening History

Austin Film Festival 2024

Big Apple Film Festival 2024

SeriesFest 2024

Bushwick Film Festival 2024

Laugh After Dark Comedy Festival 2023

Awards History

SeriesFest 2024 - Best Comedy Writing

Laugh After Dark Comedy Festival 2024 - Best TV Pilot

Winter Film Festival 2025 - Best Web Series

NYWIFT iWoman TV Festival - Best Actress, Best Producer, Best Score

Press

""On the comedy side, Jasia Ka is behind Girls Aren’t Funny, a dramedy that tells the stories of up-and-coming women comedians in NYC. Jasia told Deadline, “I’m primarily a film director, and when I moved to NYC in my early 20s, I got into doing stand-up and took notice of the way women comedians are ruling the scene – and they’re not just the comics that get Netflix specials, but the comics with day jobs performing in hole-in-the-wall bars, running open mics, and hustling to do three shows a night. A new generation of comedians are reimagining comedy as a vehicle to tell their stories, their way. I wanted to create a cheeky, heartfelt show that spotlights these incredible comedians and debunks the asinine myth that girls aren’t funny once and for all.”"
Deadline
""This is an example of a very successful pilot set up to be made into a TV series. The story is strong with multiple points of conflict and tension that weave together to create a longing for more episodes.""
The Wrap

Credits

Creator/Director - Jasia Ka

Actor/Co-Writer - Amamah Sardar

Actor - Caleb Eberhardt

Actor - Zubi Ahmed

Actor - Usama Siddiquee