Parity Pipeline

Parity Pipeline

Nadia's House

Directed by Rola Nashef

In 1995 Detroit, four Lebanese girlfriends inherit a war their parents fled and a set of rules they never chose. Beneath a marital home they build a secret techno club- the one place they can be free before becoming the wives and mothers they watched their own mothers be. The architect, Georgie, whom no one will let build, fuses Arabic music with Detroit techno before the world would catch up. When her masterpiece detonates her sister's wedding, she must rebuild what she broke.

  • ABOUT
  • BIO
  • AWARDS
  • GALLERY

Genre

Synopsis

Saida, Lebanon, New Year's Eve, 1978. Three couples, beautiful and loud, toast a brutal year’s end as their daughters play under furniture- until a rocket shell tears through the kitchen and lodges, unexploded, in the wall. The families flee into the streets; one father, a poet, is lost. They vow their girls will never grow up in war, and leave for America.

Detroit, 1995. Those daughters are grown: big hair, gold hoops, full figures, and a warm, maternal beauty magnetic to all. Rita(25), the responsible one, is engaged to Roy, a good Lebanese man from a good family; they have 30 days to make their marriage license real. Her sister Georgie(23), is an architect no one will let build- she runs the Arab Community Center for minimum wage. Zaina(24), does hair while her mother parades suitors past her. Lana, 21, the baby, hides in black layers, carrying a body she is shamed for. They live under a watchful eye-but they have their loopholes: the pager, a quiet payphone and coded beeps. They leave home in modest layers and transform in the car-lashes on, hair down, a clip-on crossbody over a black CK slip dress and Rita at the wheel. They dance only when no one is recording, because in 1995, no one is. Roy buys a house and asks Georgie to "decorate" it -she is an architect after all. She discovers a forgotten parlor beneath it, far larger than the home above. The architect with nothing sees everything. 

It becomes NADIA'S HOUSE: a secret techno neon club with the DJ suspended overhead and soundproof booths for taking your parents' call. At its center is Rami—Georgie's best friend, who she secretly loves, but only sees her as a bro. A law student moonlighting as DJ RicoAM, racially ambiguous on purpose: not an Arab star, a rising Detroit techno star. Georgie recruits him and quietly produces his music; together they fuse their parents' Arabic music with Detroit beats - a sound the world won't name for another thirty years. To fund it, Georgie hijacks the Center's televised telethon for the biggest underground Arab techno party Detroit has known—one last free night before the wedding. The height of everything: neon, the music finally theirs, and where it breaks. Roy catches Rita there, the engagement detonates, and Georgie — the freest of them — pays the steepest price. From a hospital bed surrounded by family, she takes on the hardest production of her life: her sister to the altar, every woman to the future she chose.

Director Identity

Bio

Rola Nashef is a Lebanese-American writer, director, and producer who brings Arab and immigrant life to the screen from the inside — with humor, intimacy, and an ensemble's eye for the people most films overlook. Born in Lebanon and raised in Michigan, she draws on Detroit's diverse communities as a catalyst for storytelling.


Her debut feature, Detroit Unleaded, holds its place in American cinema history as the first Arab-American romantic comedy to center second-generation characters. A slice-of-life dramedy set in an Arab-owned 24-hour gas station, it was developed at the Sundance Screenwriters Lab, premiered at the Toronto International Film Festival (2012), and won the inaugural Grolsch Film Works Discovery Award. More than a decade on, it still plays in theaters, on streaming, and at cultural events worldwide.

Named one of Filmmaker Magazine's "25 New Faces of Independent Cinema" (2011), Nashef has received the Kresge Arts in Detroit Award (2014), the Adrienne Shelly Director's Award (2015) for her Nadia's House screenplay, and a Knight Arts Challenge Detroit grant (2019) to develop the project.


She is the founder of Public Light Productions, a Detroit company developing a slate of narrative features, documentaries, and series: the feature Nadia's House; Shakespeare is Lebanese, a feature documentary and archival installation drawn from her Deirmimas Archive Project (digitizing 1,800+ reels of Lebanese home movies); the series Dreamyard; and a 20th-anniversary re-release of Detroit Unleaded.


A Professor of Practice at Michigan State University, Nashef advocates for emerging writer-directors and and the integrity of the Arab image in mainstream media.

Awards History

The Adrienne Shelly Foundation, The Director's Award for Nadia's House Screenplay 2015

The Knight Arts Foundation, KA Challenge Award for Nadia's House Development 2019