Level 16

Directed By Danishka Esterhazy

In a highly regimented boarding school, a pair of students discover that things are not as they seem.

  • ABOUT
  • BIO
Trapped in a mysterious boarding school, 16-year-old Vivien and Sophia embark on a dangerous search to uncover the horrifying truth behind their imprisonment. Soon running for their lives, the girls must save themselves or die trying. Featuring striking imagery and charismatic performances, this critically acclaimed, dystopian sci-fi thriller is an intense and furiously cerebral experience like no other.

Danishka Esterhazy  is an award-winning director whose work spans horror, thriller, and action cinema. Recognized for her precise visual style and strong narrative voice, she has established a career defined by both critical acclaim and audience appeal. Her debut feature, Black Field, a gothic prairie thriller, earned the Amazon Video Award at Sundance and introduced her as a significant new talent. She followed with Level 16, a dystopian thriller that premiered at Fantastic Fest. Esterhazy has directed several high-profile reimaginings in the horror genre, including The Banana Splits Movie (2019) and Slumber Party Massacre (2021). The latter received wide critical recognition, including a rare 100% rating on Rotten Tomatoes, and was praised for its feminist approach to established genre conventions. Her work in action cinema includes Sniper: The Last Stand, produced for Sony Pictures. The film highlighted her command of firearms-based sequences, tactical staging, and close collaboration with stunt teams. For this project, she received a nomination from the Directors Guild of Canada for Best Direction. Esterhazy continues to build on this expertise, integrating rigorous stunt choreography and weapons handling into her directing practice. Her films have screened at more than fifty international festivals. She is the recipient of the Canadian Screen Award for Best Direction and has also been recognized by the Directors Guild of Canada. A graduate of the Canadian Film Centre’s Directors Lab and an alumna of Women in the Director’s Chair, she has consistently worked to advance the presence of women in genre filmmaking.