Genre
Synopsis
We enter the world of THE WAVES as SYDNEY and her best friend since childhood CORY spend their final day in Los Angeles where Sydney obtains end-of-life meds.
At the airport the next day, Sydney’s ALS cause her legs to fail as she takes a fall.
Back at her family’s midwestern lake house, a party crowd gathers to celebrate Sydney’s final night on earth. Syd takes in each person’s face, eyes, and smile for the last time ever.
When the guests leave, despite Cory’s last ditch plea, Sydney retires to her room to watch the sun come up before taking her lethal dose jello, beating ALS to the punch.
To support her, Cory stands outside with a boombox raised above her head playing “In Your Eyes” by Peter Gabriel-- a nod to their shared favorite movie -- so that Sydney leaves life with a smile.
Syd’s final wish is that her college friends will reunite for a weekend she posthumously planned for them.
SYDNEY (V.O.)
Just come! Cory will work out the details. And please know that each of you
were a part of the last smile on my face. I love you forever, Sydney.
The friends arrive, quickly falling into the sibling roles. SIMONE, the Creole Princess who has secretly tanked her family’s real estate business. MIA, the kickass sports reporter. And REENIE, the college professor still living a mostly closeted life. Sydney's death has opened old wounds and deepened new personal turmoil each for all of them. After first refusing to come, ALEX, the brash, New Yorker/record exec, arrives late and drunk and blows chow all over the dinner table. This sets the tone for the emotional exorcism that is their weekend.
On Saturday morning, Cory and Reenie head off to the farmer's market where they run into Reenie's old lover. Cory encourages Reenie to embrace her queerness.
Throughout the weekend, Sydney's ghost arrives to connect with each woman, sometimes giving encouragement, other times gently taking them to task for the BS.
During the “reverse scavenger hunt” to sprinkle Syd’s ashes around the old college campus, the women learn that each location is connected to their friendship with Syd. Long-held secrets are revealed. Flirtations with boys happen. And ashes are sent flying during a party. The women all struggle with the loss that brought them back together, and friendships are tested.
Before they leave, Cory gives the women Sydney’s final gift — check enabling each of them to follow their dreams. They realize Syd loved them more than they had maybe ever learned to love themselves.
Alex finally cracks open emotionally. But following Sydney’s final ghostly visit advice, she turns to the friends who are still there, and settles into the fold to finally begin to heal her many wounds.
Our friends, how seldom visited, how little known—it is true; and yet, when I meet an unknown person, and try to break off, here at this table, what I call ‘my life,’ it is not one life that I look back upon; I am not one person; I am many people; I do not altogether know who I am...or how to distinguish my life from theirs.
-- The Waves, Virginia Woolf
Bio
Charise M. Studesville hustled her way into the entertainment business via an internship with Debra Martin Chase, commuting weekly between Chicago and LA. Charise then landed in a Warner Brothers/USC directing and producing program, and convinced a band of USC Film School grad students to crew her first film, culminating in a 60+ international film festival tour, winning directing and best film awards along the way.
Since then, Charise founded Hollywood Chick Mafia, a community of creative rebel chicks in Hollywood, supporting each others' badassery, became a USA Today bestselling author, was chosen as a 2022 WIF Multi-Hyphenate Mentee, and was honored as a featured artist in Kente Royal Gallery’s Black History Month 2023 art show in Harlem, and was chosen as a Stowe Story Lab Fellow in 2024 for her feature film, The Waves. Charise’s experimental short film Return Of Alice was honored by the Toronto International Women’s Film Festival.
In all of her creative work, Charise uses truth to illuminate darkness within the human experience, and loves stories and characters that speak to the human capacity to rise above the murkiest of waters in life without losing sight of the beauty that can bloom—like her lotus flower logo of Lotus Girl Films. As a fierce advocate for women, Charise is a proud member of Film Fatales, Women In Media, Alliance of Women Directors and WIF.
Awards History
Earlier versions: • African American Women in Cinema Film Festival, Best Screenplay, 2005
• Tribeca All-Access, Screenwriting Finalist, 2007
• Moondance International Film Festival, Moondance GAIA Award,
• 2024 Fellow – Stowe Narrative Fellowship, The Waves feature
• Austin Film Festival, 2nd rounder, The Waves, 2021